How deep is your, 2003
site-specific installation with sound, P.S. 1 Museum, Queens, NY
plastic and PVC tube, sound track, CD player, funnel, mirror, LED lights, existing architecture
Two pop songs from the 1970’s are circulated throughout the museum through pipes, eventually emitting from a funnel that hangs in a gallery space two floors above.
Flood, 2009
cherry hardwood, electronics, original soundtrack
21x14x12 inches
Upon opening, sound emerges from an empty box; numerous voices saying "I love you". The initially soft voices gradually become louder until they are yelling. The voices are silenced when the viewer closes the box.
Affirmation, 2006
audio interventions at nine sites throughout the Tate Liverpool Museum
existing architecture, ventilation and plumbing systems, ultrasound and Terfenol –D speakers, recorded soundtrack
Through infiltrations in duct and plumbing systems, sound emerges from air vents, sinks, and architectural features throughout the museum. At nine sites, voices address museum visitors directly, stating positive reinforcements.
Camera Less Video, 2009
lenses, Plexiglas, stainless steel, view
21 x 12 x 36 inches
Optical lenses import and multiply the view outside a window to make a real time “movie”.
Body, 2007
speakers, wire, electronics, multi-channel soundtrack
140 x 12 x 12 inches
Multiple tiny speakers emit a 4-channel soundtrack of barely audible whispered comforts and murmurs.
Excavation, 2004
plastic tubing, fiber-optic cable, light, battery, cement, prism inside wall
40 x 12 x 9 foot tubing system, 1x 1 inch projection in wall
Line Drawing, 2003
site specific installation, Artists Space, NY, NY
lenses, Plexiglass, plastic tape, mirrors, lights, fans, objects found on site, existing architecture
A continuous blue line weaves through the gallery, office and storage areas of Artists Space. Glimpses of the line in the non-public spaces can be viewed through perforations in the walls that house optical lenses and small periscopes.
Julianne Swartz
In fill trate, 2004
PVC pipe, Plexiglas, mirror, hardware
2’ x 4’ x 2’
H W D
Lender Colby College Museum of Art
In fill trate, 2004
PVC pipe, Plexiglas, mirror, hardware
2’ x 4’ x 2’
H W D
Lender Colby College Museum of Art
Loop, 2010
Wire speakers, electronics, original 8-channel composition
130” x 140” x 10”
Loop, 2010
Wire speakers, electronics, original 8-channel composition
130” x 140” x 10”
Obstacle, 2007-2010
Cement, motor, wire, plastic, battery
39” x 34” x 34”
Spectrum, 2004
magnets, thread, wire, plastic
10 x 9 x 3 feet
Spectrum (detail), 2004
magnets, thread, wire, plastic
10 x 9 x 3 feet
Obstacle
Obstacle (detail)
Opening at deCordova: Fall 2012
SMoCA Installation: 2013
Sculptor Julianne Swartz will be the subject of a mid-career survey organized by deCordova Sculpture Park and Museum and Scottsdale Museum of Contemporary Art. Curated by Rachael Arauz with the full participation of the artist, Julianne Swartz: How deep is your will present the work of a rising international art star whose work engages viewer participation with elegance, humor, and intelligence.
The exhibition will survey the past decade of Swartz’s career in all media, and gather together for the first time a significant group of her large-scale installations—reconceived for the unique interior, exterior, and interstitial spaces of deCordova, SMoCA, and each participating tour venue—that invite viewer participation in both subtle and overt ways. The artist will collaborate with each participating venue to tailor the installation and visitor experience for their institution, making each presentation both site-specific and unique.
Acclaimed for her unique blend of high and low-tech materials, the artist has made the ephemeral presence of the viewer fundamental to her work, employing lenses that transform mundane objects and hidden locations into magical moving pictures, mirrors that disorient a viewer’s spatial perception and self-awareness, vinyl wall drawings that guide viewers to secret architectural spaces, and PVC tubing and speakers that allow buildings to communicate with their inhabitants. Swartz has exhibited widely, including site-specific commissions for the New Museum, Tate Liverpool, and theTang Museum, and group shows at P.S. 1/MoMA, the Aldrich Museum, and Ballroom Marfa. She was included in the 2004 Whitney Biennial, and has had recent solo exhibitions at the Jewish Museum, the Colby College Museum and the Indianapolis Museum of Art. She is represented by Mixed Greens and Josee Bienvenu Gallery in New York and the Lisa Sette Gallery in Scottsdale, AZ.
Supported in part by a generous grant from The Andy Warhol Foundation for the Visual Arts.
Download Exhibition Information with articles from Art Forum and Sculpture magazines. (PDF)
deCordova Sculpture Park and Museum
51 Sandy Pond Road
Lincoln, MA 01773
phone: 781.259.8355 | info@decordova.org