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100 x 37 x 44 1/2 inches
Figurative sculptor Jaume Plensa is an internationally acclaimed public artist. He is perhaps most associated with The Crown Fountain (2004) in Chicago’s Millennium Park, which is a modern twist on an ancient civic symbol. The fountain takes the form of two, fifty-foot glass towers that display video portraits of windy city citizens who playfully spout water down onto the plaza below. Plensa made a similar civic splash this past summer with Echo (2011) – a forty-four foot tall polyester resin head in New York’s Madison Square Park.
Plensa’s figural sculptures invite rumination on the relationship between language and form, and the connections between a person’s interior thoughts and his/her physical presence in the world. His elongated portraits of everyday people are at once specific, anonymous, universal, and tranquil. Humming (2011), a portrait of a young female rendered in a calm, meditative state, embodies all of these characteristics and more.
To create this sculpture, Plensa begins with a photograph, which he scans into a computer and manipulates on screen. With the help of rapid prototyping technologies, the artist prints out a three dimensional model of his desired form. He then modifies that object by hand, re-scans it, and repeats this process until he’s satisfied with the final model. Using the digital file as a guide, Plensa finally carves into the marble with a set of computer-aided sculpting tools, creating a sculpture in sections that is separated by a thin piece of lead when assembled.
In line with his practice, Humming places a very different kind of figural subject at the center of a sculptural tradition known for memorializing historical heroes on horseback. His elegant, abstracted heads harken back to the Olmec monuments or those found on Easter Island, but are very much twenty-first century creations. Plensa’s sculptures encourage reconciliation between a figure’s contemplative, psychological state and the environment in which it is displayed. They speak to the beauty of our individual minds, inside and out, and are evidence of a powerful revisioning of the figure in contemporary sculpture.
The winner of many national and international awards, Jaume Plensa has had solo exhibitions at the Nasher Sculpture Center, Dallas; Institut Valencia d'Art Modern, Spain; the Musée Picasso, Antibes, France; the Arts Club of Chicago; Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan; Museo Reina Sofia, Madrid and Galerie National du Jeu de Paume, Paris among many others. His impressive projects for public spaces have been on view in such international cities as Chicago, Dubai, London, Liverpool, New York, Nice, Tokyo, Toronto, and Vancouver.