Frank Egloff
After Deakin 1952/57, 1999, acrylic on canvas, 78" x 66"
Egloff’s work is based on multiple critical examinations of the phenomenology and history of photography. The artist’s painterly manipulations of photographic images addresses the inherent tensions between illusion and abstraction, objectivity and subjectivity, ubiquity and uniqueness, perceptual integration and disintegration, and other dualities that reveal the physical and philosophical complexities of photography.
